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PARIS WINDS

Join the Rochester Symphony woodwind quintet for an evening of music inspired by the vibrant artistic life of Paris—a city that has shaped generations of composers. From the light, spirited elegance of French classical works to melodies that evoke cabarets and sidewalk cafés, and colorful scenes of an earlier Provence, this program showcases music that embodies the imagination and refinement of the French musical tradition.

Bleu Duck Kitchen will be on hand with French-inspired cocktails and wine for purchase at the event.

Bar opens at 6:30pm with music beginning at 7. Concert ends at approximately 8:15.
Guests are invited to stay after, enjoy the bar, and socialize!

TICKETS $30

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Program

IBERT

Trois Pièces Brèves (Three Short Pieces)

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We begin our concert with this energetic piece. A standard in the woodwind quintet repertoire, it contains sections of lightness typical of the French style, and of course, a bit of fun. 

LEFEBVRE

Suite for Woodwind Quintet, op. 57

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This piece begins with a slow movement in a minor key, with beautiful tonal colors, and a fast and showy Finale. 

BIZET/GORDON, arr.

Jeux D'Enfants, op. 22 (Children's Games)

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Originally composed for piano, this charming piece includes five short movements depicting lively children's activities; a march, play-acting a little husband and wife, a spinning top, a doll, and a dance. The success of this piece influenced composers like Debussy, Faure, and Ravel to create their own childhood-inspired music.

SATIE/HAYES, arr.

Je Te Veux (I Want You)

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This arrangement evokes the ambiance of a French sidewalk café as the ensemble imitates the sound of a lyrical melody with accordion accompaniment.

MILHAUD

La Cheminèe Du Roi Renè (The Chimney of King Renè)

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This is a favorite piece in the woodwind repertoire, with its unique blend of individual instrumental tones. Creating pictures for the audience of Provence in an earlier era, the movements depict a procession, a morning serenade, jugglers, la maousinglade (a quiet place), jousting, hunting, and finally - a peaceful nocturne. 

PIAZZOLLA/SCOTT, arr.

Libertango

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This Argentinian composer, a virtuosic player of the bandoneon (similar to the accordion), traveled with his family to Paris at the age of 34 to study with the famous Lili Boulanger. As he composed this piece, she encouraged Piazzola to keep elements of his Argentinian influences - which included frequenting clubs to hear Tango music - rather than adapt to French tradition. The result is this fiery piece with jazz and classical influences.