A recipient of the prestigious McKnight Artist Fellowship for Musicians, Ms. Engleman has performed operatic roles with the Minnesota Opera, Minnesota Concert Opera, Skylark Opera, Arbeit Opera, Music by the Lake, and the Los Angeles Philharmonic. A particularly gifted performer of 20th century and contemporary music, Ms. Engleman has performed chamber music with Zeitgeist, the Chicago Chamber Musicians, the Tanglewood Music Center and the Boston Symphony and frequently premieres works by living composers. Her CD Lift me into Heaven Slowly featuring song cycles by Libby Larsen was released by Innova Records in 2017. Concert engagements include solo performances with the Minnesota Orchestra, the La Crosse Symphony Orchestra, Milwaukee Bel Canto Chorus, the Valley Chamber Chorale and the Rochester Symphony Orchestra, and as a frequent recitalist, she has performed at Orchestra Hall, Hope College, at the National Association of Teachers of Singing National Convention, Source Song Festival, and as part of the Schubert Club Courtroom Concert Series.
An alumni of the Tanglewood Music Center and the Art Song Festival of Cleveland, Ms. Engleman’s awards include Regional Finalist in the Metropolitan Opera Competition, 1st Place winner in the Austin Lyric Opera Young Artist Competition, Finalist in the Sun Valley Opera Competition, recipient of the Minnesota NATS Artist Award, and winner of the Milwaukee Bel Canto Chorus Regional Artist Competition. Equally passionate about teaching voice, Ms. Engleman is an Associate Professor of Music at St. Olaf College where she teaches voice and vocal pedagogy. View Tracey Engleman’s online portfolio.
American Mezzo Soprano Michelle Monroe is praised for her “command of dramatic shape and musical details.” Michelle is sought after as a performer for concerts and oratorio, chamber music, and recitals. Having an affinity for contemporary American vocal music, Ms. Monroe recently gave the world premiere of Four Songs by award winning composer Jeremy Beck. Her recent concert work includes soloist for Magnificat by Imant Raminsh, Elijah by Mendelssohn, Dialogue of Self and Soul by James Stephenson, and Beethoven’s Symphony No. 9. Michelle spent two summers as a member of Central City Opera’s Bonfils-Stanton Young Artist Training Program, winning the Opera Guild Sponsored Artist in 2021. A few of her favorite opera credits include Maddalena in Verdi’s Rigoletto with Central City Opera, Dorabella in Mozart’s Così fan Tutte with Music on Site, and Ruth in The Pirates of Penzance with Cedar Rapids Opera.
Michelle is looking forward to performing The Noise by Kimberly Osberg with the Northern Iowa Symphonic Band in April and a solo recital in May featuring Four Dickinson Songs by Lori Laitman and Les Nuits d’été by Berlioz. When she’s not singing, Michelle enjoys teaching voice, gardening, and being outside with her dogs. View Michelle Monroe’s online portfolio.
Praised for his “clean, clear voice,” David Walton dazzles stages across the country to critical acclaim as a versatile lyric tenor to watch. He recently sang Frederic in The Pirates of Penzance with “charismatic presence and a sweet pleasing tenor” (Cincinnati Business Courier) and Dorvil in Rossini’s La scala di seta with a “ringing high register” (concerto.net).
As a favorite tenor of bel canto, Mr. Walton has frequented such roles as Ernesto in Donizetti’s Don Pasquale, Tonio in La fille du réigment, Ramiro in Rossini’s La Cenerentola and Almaviva in Il Barbiere di Siviglia. He has been described as “this production’s breakthrough performance” (PIONEER PRESS) and “the sweetest singing of the evening…a lyric tenor with strong Italianate stylings” (Star Tribune), “a 21st century Rossini tenor” (OPERA WAR HORSES), and “smooth, lyrical, and capable of scaling the heights” (VIRGINIA PILOT). Company appearances include Cincinnati Opera, Virginia Opera, Minnesota Opera, Opera Delaware, Syracuse Opera, Annapolis Opera, and the Glimmerglass Festival in a new production by Francesca Zambello where OPERA NEWS labeled him “genuinely funny.” Other operas include Rossini’s L’occasione fa il ladro and La scala di seta, Mozart’s Die Zauberflöte and Die Entführung aus dem Serail, and Handel’s Acis and Galatea. View David Walton’s online portfolio.
Bass-baritone Alan Dunbar is a versatile performer, lauded for his beautiful tone and his nuanced musical and textual interpretation. Spanning repertoire from the 17th to 21st centuries, his performances include premieres of solo works by Libby Larsen, Justin Merritt, and Elliot Carter; as bass soloist in Bach’s passions and cantatas with Voices of Ascension, Bach Society of Minnesota, Bach Roots Festival, and Indianapolis Baroque Orchestra; numerous principal roles with Madison Opera (Magic Flute, Salome, Fellow Travelers, La Bohème, Barber of Seville, Dead Man Walking, She Loves Me); the title role of Britten’s Noye’s Fludde at Santa Fe Opera; and countless solo recitals across the US. Alan holds a BA in music theory/composition from St. Olaf College, and an MM and DM in vocal performance from Indiana University. Alan was a founding member of the Minnesota-based internationally acclaimed chamber vocal ensemble Cantus. He serves as Associate Professor of Voice at Winona State University. View Alan Dunbar’s online portfolio.